Organic World Building in UE4
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Registration Starts On
First week of November 2017
Class Begins On
February 4, 2018
Anthony Vaccaro
Environment Artist

Anthony Vaccaro is currently an environment artist working at Naughty Dog in Southern California. He started his career at Bungie working on Halo Reach after graduating and obtaining his bachelor degree in Video Game Art & Design. After leaving Bungie he joined the team at Naughty Dog where he has been for the last 7 years working on critically acclaimed titles such as: Uncharted 3: Drakes Deception, The Last of Us, Uncharted 4: A Thief's End and most recently, Uncharted: Lost Legacy. While at Naughty Dog Anthony has specialized in creating the largest and most open organic levels from the ground up done by the studio.

Course Description

In this course, students will create a game level from scratch in UE4. The course will cover UE4’s object placement and layout basics, foliage systems, and lighting systems. The course will help students better understand level and environment workflows, as well as how level designers, game designers, and environment artists fit into the game pipeline.

Standard Format:
Length: 10 Weeks.
Lectures: Pre-Recorded each week
Assignment: Deadlines each week.
Feedback: Individual recorded.
QandA: Once a week
*For classes with fewer than 6 students feedback may be provided during the live QandA session.

Course Outline

Wk1

Understanding the world we want to build

  • Overview of what an environment artist's role is
  • How to build a plan for our environments
  • Figuring out what reference will help us achieve our goals
  • Understanding the importance of PST (Primary, Secondary and Tertiary elements)
  • Breaking down reference material into required assets
  • Planning our large-scale environments

Wk2

Creating a terrain that is truly Unreal

  • Introduction to Unreal Terrain
  • Brushes and techniques to achieve your goals
  • Terrain shader
  • How to create Terrain in Maya

Wk3

Laying the foundation of our world

  • Blocking out our environment
  • Creating points of interest
  • How to lead a player through your environment
  • Striking a balance between art and design
  • Blocking in basic colors
  • Quick temp lighting to give us a better grounded feel for our environments

Wk4

Organicly modular

  • Creating organic assets such as cliffs, rocks, and boulders
  • Utilizing tiling textures and master shaders to keep all assets cohesive
  • Benefits of tiling textures over 1-to-1 sculpts
  • Create Primary, Secondary, and Tertiary rock elements that will be used to build our environments

Wk5

Planting the seeds

  • Learning Unreal's Foliage system
  • Foliage volumes and creating procedural foliage
  • Unreal's foliage painting tools
  • How to break down the needed foliage for a scene
  • Create multiple variations of a tree asset utilizing the same shader

Wk6

Where nature meets man

  • How man-made objects can be incorporated into your scene
  • How to highlight or de-emphasize the player's goal within man-made assets
  • Connecting nature and man-made objects

Wk7

Clump it, then blend it

  • How to apply the technique of PST (Primary, Secondary, and Tertiary) to assets in our scenes, and how this can help connect each area of our environment
  • Clumping our details into specific hot spots to either draw attention or fade into noise
  • Drawing the player with the clumping of organic and man-made assets
  • Blending out harsh contrasting areas of our environment, creating smooth transitions of visually appealing gradients
  • When and where to create areas of rest with our foliage and detail

Wk8

Keep them hooked

  • The importance of story in your environment
  • Different ways to create inter-linking stories throughout our environments
  • Show, don't tell. How to tell a story in our scene without the need of characters
  • Creating necessary story-driven assets that will give life and something for the viewer to become invested in

Wk9

Sunshine and rainbows

  • Learning Unreal's Lighting for an outdoor scene
  • How to nail a mood that will help our scenes stand out
  • Creating atmosphere with fog, lighting, and particles
  • Utilize our understanding of mood to dramatically change the look of our scenes for multiple looks within the same environment

Wk10

The icing on the cake

  • Going over the final polish needed for our scenes
  • Discussing what can help push our scene further
  • Rendering out our final beauty shots
  • How to show off your environment and its break downs in your portfolio

Careers

  • Game Environment Artist
  • Environment Modeler
  • Game Designer
  • Texture Artist